elaby: (McCoy - Doctor)
Rachel and I have a habit of getting into older TV shows on Netflix and watching only that for weeks. Right now, it's Star Trek: Voyager. This was the first Star Trek show that I watched while it was actually airing, and I was very fond of it at the time. I love it even more now <3

I've grown super-fond of all of the characters, even the ones I wasn't that interested in before. The Doctor and Harry Kim were my favorites back in high school (predictably) but now I don't know if I could choose, except that Janeway is at the top of the list. She is SO AWESOME and such an sterling example of a strong, fully fleshed female lead. I love that she started her career as a science officer and still has a hard time letting anything but science dictate her decisions. I love that she doesn't have to justify her authority - she's earned her rank and nobody questions her for it on the basis of her gender. I love that she treats her crew like her family, while keeping the necessary distance from them when she has to. I love that she has no qualms about partying with her subordinates and that she struggles with the ultimate power she has as the highest ranking Starfleet officer in the entire quadrant (and sometimes loses and makes poor decisions, which are usually acknowledged and questioned - unlike Kirk, who made poor decisions all the time but was always shown as being right).

I haven't lately sought out fandom stuff on the internet, and with Voyager, it aired so long ago that I don't come across it easily. I did look up one episode the other day, and what I found - I should have expected this - was a lot of criticism of Janeway as too cocky, too arrogant, too sentimental, a shameless self-insert of one of the writer-producers… people tore her apart, in ways they would never ever do to one of the male captains. It was so incredibly frustrating. There was one comment in particular that really made me angry: someone criticized her for, at one point, putting her arm around the shoulders of one of the younger officers. They said "Can you imagine Picard or Sisko doing that? Does she have to be so touchy-feely?"

Here's a newsflash, folks: Janeway is not Picard or Sisko. She's her own distinct character. She's extroverted, laid-back, and emotionally available. No, I can't imagine Picard acting like she does - because Picard has his own personality, one that's very different from Janeway's. All of the captains have their own style. That's why Star Trek is so awesome: it shows that people who are very different can command in their own ways and still all be effective. Every captain shouldn't have to be Picard or Sisko in order to be seen as a good captain.

Janeway's situation is also vastly different. She has responsibility for an isolated group of people who are so far away from home that they'll likely never get back in their lifetimes. She's the single authority responsible for making decisions about situations for which there are no regulations. For better or worse, she doesn't have Starfleet breathing down her neck. Of course she has to handle things a little differently.

I can't help but feel that this particular criticism of Janeway is especially rooted in her being a woman. Our society has taught us that women are (allowed to be) more openly affectionate and emotional. The validity of that aside, the problem here is the assumption that a captain can't be affectionate and emotionally open without compromising their authority and effectiveness. I really feel that Janeway's open affection for her crew and her emotional availability make her a better captain in her situation. It's generally "uncool" nowadays to say "Janeway's a bad captain because she's a woman," so people find ways to say the same thing and make it sound like a legitimate criticism of her character.

There's no mistaking that some episodes of Voyager are badly written, clunky, and sacrifice character continuity for ease of plot. But all Star Trek series have those episodes. If reading those criticisms have done anything for me, it's to convince me further not to seek out fandom stuff on the internet :\
elaby: (Star Trek - Aieeee)
I had a really interesting dream last night - I can't remember a lot about it, but it was epic in the way my world-ending dreams sometimes are. I was driving with Rachel toward a city where we would be staying on vacation. The city was under attack by gigantic beings: taller than skyscrapers, with lanky humanoid bodies in pale blue and green, faces with features that were squashed into the bottom halves of their heads like in some Brian Fround paintings, and long backwards-sloping rabbit ears. They lurched past the buildings, bent slightly forward, moving ponderously. The destruction they'd left in their wake had flooded the rivers, and we were stuck in traffic on a bridge above the water. The water rose and flooded the bridge, but for some reason I wasn't scared. Our car floated but was taking on water, and I looked out of the car window and saw that one of the bridge's trusses right next to it. It was only covered in an inch or so of water, so we could climb out of the car's windows walk along it. I told Rachel to start getting our luggage out of the car, and most of it was in these big rubbermaid containers, so they floated. We had to leave behind the stuff in the trunk, but it wasn't a big deal. We walked along the truss until we got to the city. We made it to our hotel but everyone was stuck there and no one was allowed to leave. We didn't really mind, though - we thought it would be relaxing to just chill in our hotel room.

In other news, we've been watching Star Trek: The Next Generation while we weave/draw/knit etc. We saw an episode the other night that I was absolutely sure was a veiled attempt to address queerness/GLBTQ rights. In it, a genderless race asked for the Enterprise's help with locating a missing shuttlecraft. A pilot, Soren, ended up falling in love with Riker (and he reciprocated) and it came to light that Soren identified as female. Binary genders were looked down upon by this culture, who considered them to be primitive (people had had genders long ago and evolved into a genderless people). This people, when they found out that anyone identified as male or female, would put them through a treatment that "cured" them and supposedly wiped out any desire to be different in that way. When Soren talked about her feelings, they were very clearly supposed to reflect those of a queer person - she had always felt different but didn't realize what it was until later in life, she had experienced bullying at school and had seen other people be bullied for the same thing she feared in herself, she met other people like her when she was older and realized that she wasn't alone or a freak. Soren was "outed" near the end of the episode and gave an impassioned speech about how no one should dictate who another person loves, how the kinds of relationships people like her have are no different than the relationships of the sexual majority, how she shouldn't be forced to deny her true self and how she wasn't "unnatural". I felt like they copped out by having Soren identify as a woman and be attracted to men (she was played by a female actress, too) but I could tell that they were trying. I've heard that some of the execs who took over Star Trek after Gene Roddenberry died vetoed his plans to bring GLBTQ characters onto the show, and they probably couldn't get anything overt past the censors even in the '90s. Jonathan Frakes evidently thought they could have done better, too: the Wikipedia article on the episode said Jonathan Frakes commented that the episode wasn't "gutsy" enough and that "Soren should have been more evidently male". As for myself, I was torn, because on the one hand it frustrated me that they didn't just face the issue without hiding it behind heterosexuality, but on the other hand I was so happy to see even an attempt at representation. There had been an episode with the Trill where Beverley fell in love with a Trill man whose symbiote had to be moved to a woman's body, and their relationship was dropped like a hot potato. It essentially said "two women can't be together and that's that." We were so discouraged by this that I never expected to see an episode that even tried to deal with queerness in any way. I was glad to be proven wrong, but the end of the episode was, predictably, unhappy - Soren was brainwashed into believing she had been a deviant and accepted the majority way of life as correct. Someday, there will be a character on Star Trek who's a gender or sexual minority, and I'm looking forward to that.
elaby: (Spock - holy shit)
We saw Star Trek tonight, and OMFG I DON'T THINK I CAN CONTAIN THE HAPPY. *splodes* It was that good. For me. Yes. There will be coherence later, probably.

And because this post is an entirely hate-and-cynicism-free-zone, I also just saw a trailer on [livejournal.com profile] apocalypsos's journal for the upcoming Robert-Downey-Jr-Holmes movie, and AHAHAHA IT'S GOING TO BE SO MUCH FUN. Mysticism! Holmes in sarcasm-mode! Watson going "And you keep stealing my clothes!" XD I have to wait until Christmas for this? Come on!

Also, can they make more Star Trek movies with these actors now plz? Their chemistry = MAJOR WIN.

I think I've used up my capslock allotment for the next three years. Time for bed!
elaby: (Spock - *headdesk*)
Another of the First Kiss challenge drabble-type things. This one is for [livejournal.com profile] jiatra :) Er, it's not so fantastic... sorry, Jia :\ The Utena/Ophelia one will be better. I've got a draft of that one already.

Elizabeth Swann and Captain Kirk
Words: 570
Notes: As I haven't seen the new PotC movie yet, there are no spoilers for that. Or for anything, really, except maybe this takes place sometime during the beginning-middlish of Dead Man's Chest. *shrugs* At any rate, there's no attempt to stick to the timeline, and only a very small attempt at explaining what Kirk is doing in 18th century Port Royal.

--

Elizabeth wasn’t sure how the man got there, but he was wearing the strangest clothes she had ever seen: there was practically nothing to them, just plain, stretched cloth trousers and a shirt with a tiny insignia on the breast. The sleeves were decorated with a gold band or two, but other than that, his outfit was strangely devoid of ornamentation. He had called himself “Captain” when he introduced himself, but he wore neither a hat nor a frock coat nor any sort of pins or epaulettes to signify his rank. He also talked funny.

Read more... )
elaby: (Default)
So I had another bad fanfic dream last night. Weirdly enough, it was of
Enterprise. Must have been because we saw thirty seconds of an episode
(OMG with Brent Spiner in it! I think it was Dr. Soong!) the other
night. Here's what happened:

The
crew (just the guys, really) were somehow thrown back in time and ended
up having to play the roles of American soldiers in Japan in WWII
(during, not after). They were all rather badly traumatized due to the
horrible things they for some reason were forced to do to the
citizenry, and because the Japanese military was doing equally horrible
things to their own troops. So Archer, Trip, and Malcolm were sitting
at a picnic table outside some school or something where they were
eating lunch, and generally being trauma-stricken. Malcolm was a priest
in my dream for some reason. Like, that had been his job or his hobby
on the Enterprise, not in this army. They're talking, and then Trip
just breaks down and starts crying, and when Malcolm tries to tell him
comforting religious things, one of their commanding officers yells at
him because apparently this military wasn't supposed to have any sort
of religion O.o And that was it. Right. *wonders about her brain
sometimes*

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